Justin Vasquez (JV): Hi Joe. I was absolutely enthralled by this instrument for some reason. Looking handsome just like hims daddy!!! It sort of gave me this anxiety. JV: I’ve known about Gretchen for a while, but the moment I wanted to get Gretchen on the record… a great friend of mine, Walter Smith – another great tenor sax player – had a song on his debut record called “Kate’s Song.” He played a solo, and then had Gretchen come in and sing the exact same notes over his solo. “Moonlight In Vermont” was another one of his great hits. This thing that happens when you mention Jazz… you can take ten different people and you’d say; “What is Jazz to you?” One person would say “Oh that’s Big Band Music with Glen Miller and that style” The next person will say; “Oh well, that’s Bebop.” The next person will say; “That’s John Coltrane.” The next person will say; “That’s Miles Davis, or Pat Metheny or Wayne Shorter". Always be my baby. I convinced a coffee shop to let me play (laugh) Stan Getz’s solos. Okay. I was listening to some recordings of him in Michael Brecker’s band. According to public sources, him salary is around $100K - $5 Million. JV: Yeah, his cousin had an old beat up Beuscher (sax) from when she was in high school, and it could only play about five or six notes. Correction: Justin Vasquez (Philippines) - Make It Through The Rain (chords) Comment. Find Kristin Vasquez for free! (Justin laughing). This melody’s so beautiful, I just wanted to put it in a completely different context. Most Popular #25355. JV: Well, I think it is one of the more difficult things for a musician. I'll sing that song all up. I could barely get any notes out of this thing, and this guy is playing… I had no idea that these guys were playing over forms. It’s unfathomable how large that is! He’s played with Terrence Blanchard, Kurt Rosenwinkel, Gretchen Parlato – who also sang on this record. Jazz Monthly: You’re talking about Clarence Penn, who’s just a drumming virtuoso. See you all there so guys. You know, I mentioned earlier that you only had one brief rehearsal, and even with that brief rehearsal you didn’t even get through two tunes. I use this analogy; “before the Hubble Telescope we thought that this whole universe was just this little bubble. There was a coffee shop in this town I lived call Victoria. Until your in my arms again baby. Jazz Monthly: Alto and soprano saxophonist, composer, Justin Vasquez. It just sounded like everyone knew where they were at any point. I needed people that understood: Country music, all the Bebop music and Post Bop, Coltrane… and a wide variety of styles. Jazz Monthly: Yes. Somehow I convinced someone to pay me to just play Stan Getz recordings… and play his solos. We almost didn’t need to rehearse. But it kind of has “something” in terms of the emotion or the “moment” that it captures, that subsequent “takes” might not have. Performing, composing and just sharing his beautiful talent with anyone who has the good fortune to experience his music is what Justin Vasquez is all about. Jazz Monthly: Yes. As much as my grandmother gave me, (and they probably only gave me about 20 or 30 records) and everything else, I just had to get what I could. Im so proud of you son always have been, and always will be!!! Justin Vasquez does not have any Videos available. I’ve put a lot of work into this record and I’m glad people are enjoying it. I remember I spent years just playing along every day with that record, because I wasn’t exposed to a lot of music. I had played with Gregoire Maret a few months before the recording and I knew he would be perfect for, “End Of The Day” – which I basically wrote for Gregoire. Their were days i felt like i wasnt a good enough mom and you'd always tell me I'm more than enough.. you'd always try sending me money for him but I always told you no because he wasnt you're responsibility you've shown me that you cared not only for me but for my son you were the bestfriend I always dreamed of! I remember the day day you were born. He’s, without a doubt, one of my favorite pianists of this current generation. Jazz Monthly: We say obsessiveness in a good way. Look up facts including full address history, public records, cell phone number, email address and more for free! Common questions include: Where is Wilson Vasquez? For one thing, I really like the idea of telling a story. That’s one of the main things I listen for in music now. Justin and Evelyn Halas, of California and Colombia, respectively, met back in 2013 at a hot dog stand during a rugby match and the rest is pretty much history. Jazz Monthly: I know what you mean. So please share this website dedicated to JD to friends, family and anyone who you know was a special part of jds life. Even when I was running, I liked having big audiences. Hey Justin, I’m about to quote YOU now. That actually worked to your advantage, didn’t it Justin? JV: You know, I’ve never really actively listened to “Country” growing up. Jazz Monthly: Yes. Aaron’s playing style is not defined by his technique. Tell us a little bit about your harmonica player. Subscribe to get notified about new additions to this memorial. That’s what I really look for, and that’s what I try to get across in my music. She had a bunch of jazz records at her house. #forever19. Send a message to the administrator of this memorial. We talk about purism, and purism really can be flawed, can’t it? I understand you went over only two of the tunes, and even that it… was just for form. JV: Yeah. Justin Vasquez does not have any Articles available. Yes. His self-produced recording debut as a leader titled, “. Your mother and grandmother had a great part in that they exposed you to a lot of great records: Charlie Parker and Bud Powell and Sonny Rollins and Johnny Griffin. Mr. Vasquez and a 22-year-old man were traveling south on Stone Road in a 2002 Mitsubishi Eclipse when the driver entered the northbound lane, … Passed away on April 19, 2020 in bay city, Texas, United States. This idea of evolution – telling a story in three parts – that’s sort of how the idea of a multi-record project came about. You’re still a young man and I’m quoting you in JazzMonthly.com. justin vasquez Jazz Monthly: Our guest at JazzMonthly.com is a young man in his twenties who it seems that musically has come “full circle.” By that I mean that he has learned many of the lessons as a performer and also in life in general where it usually takes musicians a few more decades to learn. You are really a fine musician, at any tempo. 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